Abstract and Minimal Vocabulary. A visual landscape in Georgia O'Keeffe, Agnes Martin, and Hilma af Klint’s paintings

Items

• Gustav Klimt Photograph
• Boat on Sea
  The sea was a favorite subject for Edward Mitchell Bannister, who had worked as a cook on a trading ship. In this peaceful view of Rhode Island’s Narragansett Bay, a popular subject for nineteenth-century American artists, he focused attention on the brilliant coastal light. Bannister was a deeply religious man who shared with many Americans of his time a belief that nature was an expression of God’s presence. In this scene the radiant light illuminates the bay to suggest a divine blessing. (Narratives of African American Art and Identity: The David C. Driskell Collection, 1998)
• Edward Mitchell Bannister
  Edward Mitchell Bannister became one of the first African American painters to gain national recognition when his landscape Under the Oaks won a first prize at the Centennial Exposition in Philadelphia (1876). Almost entirely self-taught, Bannister began his career in the 1850s in Boston, where he enjoyed the patronage of that city's substantial black community. He was also a committed abolitionist who continued to advocate for African American rights after the Civil War. When Bannister settled in Providence, Rhode Island, in 1869, his reputation grew as his landscapes and coastal views were exhibited more widely. His name proved unfamiliar, however, to the Centennial Exposition judges, who tried to withhold his prize upon discovering that he was African American. When the other artists threatened to withdraw from the competition if Bannister was denied his medal, the original award was upheld.