Url http://omekas.prattsi.org/s/postcards/item/1949 Resource class dctype:Image Title DADA•Berenson PPT Slide -- Url http://omekas.prattsi.org/s/postcards/item/1903 Resource class dctype:Image Title Title of work from cataloging source. Required metadata element. Data type: string ("en") Creator Creator of work from cataloging source. Required metadata element. Data type: URI (The Getty Union List of Artist Names, chosen to be able to work with a name authority for people primarily connected with the arts, rather than the more general LC Name Authority File) Subject What the work is of or about. Required metadata element. Data type: URI (LC: All Authorities, all authorities selected as the vocabulary because the broadest selection available was desired to be able to fully express the more complex task of subject analysis.) Format What the work is. Primarily included as a method to differentiate murals from paintings. Data type: URI (LC: Thesaurus for Graphic Materials, chosen to be able to learn how the Getty AAT and LC TGN differ) Identifier Unique numeric identifier for each item. Required metadata element. Data type: string ("en" not required since this is a numbers rather than language-based field) Source URL of image and cataloging information source. Required metadata element. Data type: URL followed by string ("en") Relation Series to which a mural belongs. Included to provide context of all of the murals Mary would have seen on a given date, even though only one of the murals may be included as an item on this Omeka S site. Data type: string ("en") or titled URL. Rights Image rights statement from cataloging information source. Required metadata element. Data type: string ("en") and/or URL Abstract Quote from Mary Berenson's diary pertaining to the work. This metadata element was included to be able to contextualize Mary's experience as well as to categorize if whether Mary approved, disliked, or had no opinion of a work of art. Data type: string ("en") Date Created Date of work from cataloging source, placed in brackets if exact date unknown. Required metadata element. Data type: string ("en") Date Valid Date of diary entry where Mary Berenson mentioned seeing the work of art. Included in order to be able to chronologically order the items on the "What Mary Saw" page, and could be increasingly useful for data analysis when additional items are added. Data type: string ("en") Extent Dimensions of work from cataloging source, repeated if both "framed" and "unframed" dimensions provided. Included as metadata element because dimensions were commonly provided in original information sources. Data type: string ("en") Medium Materials used in creation of work. Included to provide additional details on the various works of art. Data type: URI (Getty Art & Architecture Thesaurus, selected because it had more specific terms for just the materials themselves rather than the less atomized terms like "oil painting" available in other vocabularies) Is Part Of Current collection to which work belongs, for painting only. Data type: URI (LC: Name Authority File chosen to practice using the LC Name Authority File, since Getty ULAN was utilized for the "Creator" element.) Spatial Coverage Institutional location of mural. Included as an opportunity to practice use with the LC Name Authority File, as well as to present a present-day connection to the works that Mary saw. Data type: URI (LC: Name Authority File, chosen to mirror the "Current Location" element, but for murals.) Provenance Applicable provenance statement from cataloging source. This metadata was included if there was an existing provenance statement that could provide more context and/or proof of what Mary wrote in her diary about a certain work. Data type: string ("en") Depicts Identifiable persons or entities the work depicts. Included in order describe the content of a work through Panofsky's "identification" level of meaning in subject analysis. Data type: URI (Wikidata. In order to select more specific persons or entities than available in LC Name Authority file, Wikidata was used as the controlled vocabulary for this element. ) -- Url http://omekas.prattsi.org/s/postcards/item/1901 Resource class dctype:Image Title The Nativity Creator http://vocab.getty.edu/ulan/500015254 Botticelli, Sandro Subject http://id.loc.gov/authorities/subjects/sh85070067 Jesus Christ--Nativity http://id.loc.gov/authorities/subjects/sh85074423 Landscapes in art Format http://id.loc.gov/vocabulary/graphicMaterials/tgm007391 Painting Identifier 1903-04.1002.1 Source https://www.gardnermuseum.org/experience/collection/10982 (Isabella Stewart Gardner Museum) Rights https://creativecommons.org/licenses/by-nc-nd/4.0/ CC BY-NC-ND 4.0 (Isabella Stewart Gardner Museum) Abstract The real knock-down blow was to find, hanging opposite to the great Chigi Botticelli, that poor school piece, a Nativity and Shepherds, from the Duca di Brindisi’s (Palazzo Antinori, Florence). Date Created [1482-1485] Date Valid 14 November 1903 Extent 76 cm x 76 cm (unframed) 116.84 cm x 116.84 cm (framed) Medium http://vocab.getty.edu/aat/300015050 oil paint (paint) http://vocab.getty.edu/aat/300015062 tempera http://vocab.getty.edu/aat/300014657 panel (wood by form) Is Part Of http://id.loc.gov/authorities/names/n79104331 Isabella Stewart Gardner Museum Provenance Purchased by Isabella Stewart Gardner from the collection of the Duke of Brindisi in the Palazzo Antinori, Florence in May 1900 for about $40,000 through Richard Norton (1872–1918), art historian and archaelogist. Depicts https://www.wikidata.org/wiki/Q345 Virgin Mary https://www.wikidata.org/wiki/Q942467 Christ Child https://www.wikidata.org/wiki/Q950667 Christ as the Good Shepard https://www.wikidata.org/wiki/Q128267 Joseph -- Url http://omekas.prattsi.org/s/postcards/item/1899 Resource class dctype:Image Title Saint Luke Drawing the Virgin Creator http://vocab.getty.edu/ulan/500008384 Weyden, Rogier van der Subject http://id.loc.gov/authorities/subjects/sh85039408 Drawing http://id.loc.gov/authorities/names/no99025716 Saints in Christian art http://id.loc.gov/authorities/names/n2002117083 Landscapes Format http://id.loc.gov/vocabulary/graphicMaterials/tgm007391 Painting Identifier 1903-04.0711.1 Source https://www.mfa.org/collections/object/saint-luke-drawing-the-virgin-31035 (Museum Fine Arts, Boston) Rights https://wiki.creativecommons.org/wiki/Public_domain Public Domain (Museum Fine Arts, Boston) Abstract We went to the Museum after writing a few letters and carefully compared the so-called Rogier van der Weyden with photographs of the other indubitable Rogiers. The one here is an exact copy of the one in Munich, except that the faces are shorter and less firm in expression, and the draperies a very little less nervous. Date Created [1435–40] Date Valid 7 November 1903 Extent 137.5 x 110.8 cm Medium http://vocab.getty.edu/aat/300015050 oil paint (paint) http://vocab.getty.edu/aat/300015062 tempera http://vocab.getty.edu/aat/300014657 panel (wood by form) Is Part Of http://id.loc.gov/authorities/names/n79058410 Museum of Fine Arts, Boston Provenance 1893, gift of Mr. and Mrs. Henry Lee Higginson to the MFA. (Accession Date: May 30, 1893) Depicts https://www.wikidata.org/wiki/Q345 Virgin Mary https://www.wikidata.org/wiki/Q942467 Christ Child https://www.wikidata.org/wiki/Q128538 Saint Luke -- Url http://omekas.prattsi.org/s/postcards/item/1893 Resource class dctype:Image Title Mary Berenson (née Smith) Creator http://vocab.getty.edu/ulan/500461126 Unknown Format http://id.loc.gov/vocabulary/graphicMaterials/tgm007721 Photographs Source https://www.npg.org.uk/collections/search/portrait/mw211355/Mary-Berenson-ne-Smith? (National Portrait Gallery) Rights https://creativecommons.org/licenses/by-nc-nd/3.0/ CC BY-NC-ND 3.0 (National Portrait Gallery) Date Created [1930-1935] Extent 13 cm x 8 cm Is Part Of http://id.loc.gov/authorities/names/n79113062 National Portrait Gallery (Great Britain) Provenance Given by Barbara Strachey (Hultin, later Halpern), 1999 Depicts https://en.wikipedia.org/wiki/Mary_Berenson Mary Berenson -- Url http://omekas.prattsi.org/s/postcards/item/1891 Resource class dctype:Image Title Mary Berenson (née Smith) Creator http://vocab.getty.edu/ulan/500461126 Unknown Format http://id.loc.gov/vocabulary/graphicMaterials/tgm007721 Photographs Source https://www.npg.org.uk/collections/search/portrait/mw211847/Mary-Berenson-ne-Smith (National Portrait Gallery) Rights https://creativecommons.org/licenses/by-nc-nd/3.0/ CC BY-NC-ND 3.0 (National Portrait Gallery) Date Created 1893 Extent 12.1 cm x 7.2 cm Is Part Of http://id.loc.gov/authorities/names/n79113062 National Portrait Gallery (Great Britain) Provenance Given by Barbara Strachey (Hultin, later Halpern), 1999 Depicts https://www.wikidata.org/wiki/Q6779039 Mary Berenson -- Url http://omekas.prattsi.org/s/postcards/item/1880 Resource class dctype:Image Title Virgin and Child Creator http://vocab.getty.edu/ulan/500026086 Rondinelli, Niccolò Subject http://id.loc.gov/authorities/subjects/sh85087517 Mother and child http://id.loc.gov/authorities/names/n00020514 Bible Format http://id.loc.gov/vocabulary/graphicMaterials/tgm007391 Painting Identifier 1903-04.1053.1 Source https://www.harvardartmuseums.org/collections/object/231724?position=0 (Harvard Art Museums) Rights The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. (Harvard Art Museums) Abstract "Upstairs we found a nice little collection of Italians given by Mr. Edward Forbes... a miserably repainted Rondinelli figuring as a Bellini." Date Created [1495-1500] Date Valid 15 November 1903 Extent 74.7 x 58.2 cm Medium http://vocab.getty.edu/aat/300015050 oil paint (paint) http://vocab.getty.edu/aat/300014657 panel (wood by form) Is Part Of http://id.loc.gov/authorities/names/no2008065752 Harvard Art Museums Depicts https://www.wikidata.org/wiki/Q345 Virgin Mary https://www.wikidata.org/wiki/Q942467 Christ Child -- Url http://omekas.prattsi.org/s/postcards/item/1868 Resource class dctype:Image Title Seven Ages of Woman Creator http://vocab.getty.edu/ulan/500329721 Glenny, Alice Russell Subject http://id.loc.gov/authorities/subjects/sh85147274 Women http://id.loc.gov/authorities/subjects/sh85002201 Aging http://id.loc.gov/authorities/subjects/sh85076820 Life cycle, Human Format http://id.loc.gov/vocabulary/graphicMaterials/tgm006899 Murals Identifier 1903-04.2679.1 Source February 2019 email correspondence with Erin Sullivan of Twentieth Century Club of Buffalo http://twentiethcenturyclubbuffalo.com/history/ (Twentieth Century Club Buffalo) http://www.jstor.org/stable/1557858 (Calo, Mary Ann. "Bernard Berenson and America". Archives of American Art Journal 36, no. 2 (1996): pages 8-11.) Rights Not yet advised as of 3/2/2019 Abstract I had a ladies lunch at the Twentieth Century Club, where Mrs. Glenny has decorated a room with large mural paintings. I made her bring Bernhard in, and he liked them, as I knew he would. She has a very unusual sense for decoration — if she and Kenyon Cox could be churned up into one, it would be great. Date Created 1898 Date Valid 16 January 1904 Spatial Coverage http://id.loc.gov/authorities/names/no2013061207 Twentieth Century Club of Buffalo -- Url http://omekas.prattsi.org/s/postcards/item/1857 Resource class dctype:Image Title Pagan Gods: Moloch Creator http://vocab.getty.edu/ulan/500023972 Sargent, John Singer Subject http://id.loc.gov/authorities/subjects/sh85096574 Paganism http://id.loc.gov/authorities/subjects/sh2009007401 Cows--Religious aspects http://id.loc.gov/authorities/subjects/sh85055608 Gods Format http://id.loc.gov/vocabulary/graphicMaterials/tgm006899 Murals Identifier 1903-04.0206.1 Source https://www.digitalcommonwealth.org/search/commonwealth:sq87dv88d (Digital Commonwealth, Massachusetts Collection Online) Relation https://www.digitalcommonwealth.org/search?f%5Brelated_item_host_ssim%5D%5B%5D=Mural+Cycles+at+the+Central+Library+in+Copley+Square&f%5Brelated_item_series_ssim%5D%5B%5D=Sargent+Gallery+Murals%3A+Triumph+of+Religion+by+John+Singer+Sargent Sargeant Gallery Murals Rights https://en.wikipedia.org/wiki/All_rights_reserved Copyright © Sheryl Lanzel. All rights reserved. (Digital Commonwealth, Massachusetts Collection Online) Abstract Walked and chatted in the morning and after lunch drove to Boston and saw the Library... the Sargeants surpassed for vulgarity and triviality and ugliness anything we ever saw! Date Created [1890–1895] Date Valid 19 October 1903 Medium http://vocab.getty.edu/aat/300015050 oil paint (paint) http://vocab.getty.edu/aat/300014078 canvas (textile material) Spatial Coverage http://id.loc.gov/authorities/names/n79117036 Boston Public Library Depicts https://www.wikidata.org/wiki/Q275010 Moloch (Canaanite god) -- Url http://omekas.prattsi.org/s/postcards/item/1855 Resource class dctype:Image Title XII. Sir Galahad Passes from the Land Creator http://vocab.getty.edu/ulan/500010457 Abbey, Edwin Austin Subject http://id.loc.gov/authorities/childrensSubjects/sj96006040 Arthurian romances http://id.loc.gov/authorities/names/no2018136472 Galahad (Arthurian legendary character) http://id.loc.gov/authorities/subjects/sh85056204 Grail http://id.loc.gov/authorities/subjects/sh85109828 Quests (Expeditions) in literature Format http://id.loc.gov/vocabulary/graphicMaterials/tgm006899 Murals Identifier 1903-04.0203.1 Source https://www.flickr.com/photos/boston_public_library/15261130305/in/album-72157647672175522/ (Boston Public Library Flickr) Relation https://www.flickr.com/photos/boston_public_library/albums/72157647672175522 The Abbey Room Murals Rights https://en.wikipedia.org/wiki/All_rights_reserved © All rights reserved. (Boston Public Library) Abstract Walked and chatted in the morning and after lunch drove to Boston and saw the Library... The Abbeys were awful, Date Created [1893-1902] Date Valid 19 October 1903 Medium http://vocab.getty.edu/aat/300015050 oil paint (paint) http://vocab.getty.edu/aat/300014078 canvas (textile material) Spatial Coverage http://id.loc.gov/authorities/names/n79117036 Boston Public Library Depicts https://www.wikidata.org/wiki/Q831462 Galahad (Knight of the Round Table) -- Url http://omekas.prattsi.org/s/postcards/item/1850 Resource class dctype:Image Title The Muses of Inspiration Hail the Spirit, the Messenger of Light Creator http://vocab.getty.edu/ulan/500008870 Puvis de Chavannes, Pierre Subject http://id.loc.gov/authorities/subjects/sh85044032 Enlightenment http://id.loc.gov/authorities/subjects/sh85088704 Muses (Greek deities) Format http://id.loc.gov/vocabulary/graphicMaterials/tgm006899 Murals Identifier 1903-04.0199.1 Source https://www.digitalcommonwealth.org/search/commonwealth:sq87dv628 (Digital Commonwealth, Massachusetts Collections Online) Rights https://en.wikipedia.org/wiki/All_rights_reserved Copyright © Sheryl Lanzel. All rights reserved. (Digital Commonwealth, Massachusetts Collection Online) Abstract Walked and chatted in the morning and after lunch drove to Boston and saw the Library. The Puvis’ along the sides of the entrance hall are very fine — the large one around the door of Bates Hall less successful. Date Created [1893–1896] Date Valid 19 October 1903 Extent 4.88 x 15.24 meters Medium http://vocab.getty.edu/aat/300015050 oil paint (paint) http://vocab.getty.edu/aat/300014078 canvas (textile material) Spatial Coverage http://id.loc.gov/authorities/names/n79117036 Boston Public Library -- Url http://omekas.prattsi.org/s/postcards/item/1848 Resource class dctype:Image Title Oral Tradition Creator http://vocab.getty.edu/ulan/500025329 Alexander, John White Subject http://id.loc.gov/authorities/subjects/sh85128407 Storytelling http://id.loc.gov/authorities/names/n2004043901 Oral histories http://id.loc.gov/authorities/subjects/sh85029027 Communication Format http://id.loc.gov/vocabulary/graphicMaterials/tgm006899 Murals Identifier 1903-04.3305.1 Source https://www.loc.gov/resource/highsm.02011/ Relation Evolution of the Book Rights No known restrictions on publication. (Library of Congress) Abstract I went over the Congressional Library with Mr. Parsons, keeper of the prints. What awful “mural decorations”, positively Elihu Vedder stood out as an artist among them. Date Valid 18 February 1904 Spatial Coverage http://id.loc.gov/authorities/names/n92035148 Thomas Jefferson Library Collection (Library of Congress) -- Url http://omekas.prattsi.org/s/postcards/item/1846 Resource class dctype:Image Title Anarchy Creator http://vocab.getty.edu/ulan/500032587 Vedder, Elihu Subject http://id.loc.gov/authorities/subjects/sh85143514 Violence http://id.loc.gov/authorities/subjects/sh85004812 Anarchism http://id.loc.gov/vocabulary/ethnographicTerms/afset010410 legal institutions http://id.loc.gov/entities/providers/aeedc8943044c56d9cd1905b03216ded Destruction/Creation Format http://id.loc.gov/vocabulary/graphicMaterials/tgm006899 Murals Identifier 1903-04.3305.2 Source https://www.loc.gov/item/2007684334/ (Library of Congress) Relation https://blogs.loc.gov/law/2012/06/glimpse-of-law-series-installment-2-the-east-corridor-paintings/ Glimpse of Law Rights No known restrictions on publication. (Library of Congress) Abstract I went over the Congressional Library with Mr. Parsons, keeper of the prints. What awful “mural decorations”, positively Elihu Vedder stood out as an artist among them. Date Created [1898] Date Valid 18 February 1904 Spatial Coverage http://id.loc.gov/authorities/names/n92035148 Thomas Jefferson Library Collection (Library of Congress) -- Url http://omekas.prattsi.org/s/postcards/item/1844 Resource class dctype:Image Title Summer Creator http://vocab.getty.edu/ulan/500008870 Puvis de Chavannes, Pierre Subject http://id.loc.gov/vocabulary/graphicMaterials/tgm000853 Bathing http://id.loc.gov/authorities/names/n88096162 Woman http://id.loc.gov/authorities/subjects/sh85130432 Summer Format http://id.loc.gov/vocabulary/graphicMaterials/tgm007391 Painting Identifier 1903-04.2724.1 Source http://www.clevelandart.org/art/1916.1056 (Cleveland Museum of Art) Rights https://creativecommons.org/publicdomain/zero/1.0/ CC0 1.0 Universal (Cleveland Museum of Art) Abstract Mrs. Squire came to take us to see the collections of the town, a Mr. Brush’s and a Mr. Isades’, both horrors, all but a Puvis of Mr. Wade’s. Date Created 1891 Date Valid 20 January 1904 Extent 189.5 x 270.5 cm (framed) 149.6 x 232.4 cm (unframed) Medium http://vocab.getty.edu/aat/300015050 oil paint (paint) http://vocab.getty.edu/aat/300162391 cloth Is Part Of http://id.loc.gov/authorities/names/n78087650 Cleveland Museum of Art Provenance Gift of Mr. and Mrs. J. H. Wade 1916. -- Url http://omekas.prattsi.org/s/postcards/item/1538 Resource class dctype:Image Title Joséphine Gaujelin Creator http://vocab.getty.edu/ulan/500115194 Degas, Edgar Subject http://id.loc.gov/authorities/names/n88096162 Woman http://id.loc.gov/vocabulary/graphicMaterials/tgm003318 Dressing rooms http://id.loc.gov/authorities/names/n2005089778 Actress Format http://id.loc.gov/vocabulary/graphicMaterials/tgm007391 Painting http://id.loc.gov/vocabulary/graphicMaterials/tgm008085 Portraits Identifier 1903-04.3690. Source https://www.gardnermuseum.org/experience/collection/10729 (Isabella Stewart Garder Museum) Rights https://creativecommons.org/licenses/by-nc-nd/4.0/ CC BY-NC-ND 4.0 (Isabella Stewart Garder Museum) Abstract Bernhard went out with Mr. Butler to see some rotten pictures. He lunched with Mr. Winthrop, met Mrs. Gardner at 4, and took her to see Mr. Glaenzer’s Degas (portrait of a woman), which she is wild to buy for $30,000. Date Created 1867 Date Valid 10 March 1904 Extent 61.2 x 45.7 cm (canvas) Medium http://vocab.getty.edu/aat/300015050 oil paint (paint) http://vocab.getty.edu/aat/300014078 canvas (textile material) Is Part Of http://id.loc.gov/authorities/names/n79104331 Isabella Stewart Gardner Museum Provenance Purchased by Isabella Stewart Gardner from Eugene Glaenzer & Co, New York on 18 March 1904 for $30,000 through Bernard Berenson (1865–1959), American art historian. -- Url http://omekas.prattsi.org/s/postcards/item/1507 Resource class dctype:Image Title Virgin and Child with an Angel Creator http://vocab.getty.edu/ulan/500015254 Botticelli, Sandro Subject http://id.loc.gov/vocabulary/graphicMaterials/tgm003051 Devotional images http://id.loc.gov/authorities/subjects/sh85005001 Angels http://id.loc.gov/authorities/subjects/sh85078360 Lord's Supper--Bread and wine http://id.loc.gov/authorities/subjects/sh85074423 Landscapes in art Format http://id.loc.gov/vocabulary/graphicMaterials/tgm007391 Painting http://id.loc.gov/vocabulary/graphicMaterials/tgm003051 Devotional images Identifier 1903-04.1000.1 Source https://www.gardnermuseum.org/experience/collection/12419 (Isabella Stewart Gardner Museum) Rights https://creativecommons.org/licenses/by-nc-nd/4.0/ CC BY-NC-ND 4.0 (Isabella Stewart Gardner Museum) Abstract The real knock-down blow was to find, hanging opposite to the great Chigi Botticelli, that poor school piece, a Nativity and Shepherds, from the Duca di Brindisi’s (Palazzo Antinori, Florence). Date Created 1470-1474 Date Valid 14 November 1903 Extent 85 x 64.5 cm (panel) 103.5 x 82.8 cm (framed) Medium http://vocab.getty.edu/aat/300015062 tempera http://vocab.getty.edu/aat/300014657 panel (wood by form) Is Part Of http://id.loc.gov/authorities/names/n79104331 Isabella Stewart Gardner Museum Provenance Purchased by Isabella Stewart Gardner from Colnaghi & Co., London, 24 June 1899 for £14,500 through Bernard Berenson (1865–1959), American art historian. (Isabella Stewart Gardner Museum) Depicts https://www.wikidata.org/wiki/Q345 Virgin Mary https://www.wikidata.org/wiki/Q942467 Christ Child --