"A pamphlet for the Gay Minority Sisters distributed by the Lesbian Feminist Organizing Committee (LFOC). This item is undated." from the Gay, Lesbian, Bisexual, Transgender (GLBT) Historical Society, San Francisco CA.
"Photograph featuring a group of Filipino Task Force on AIDS (FTFA) affiliates posing together on Halloween in 2001. From Box 1, Folder 15 of the Filipino Task Force on AIDS Records, GLBT Historical Society." from the Gay, Lesbian, Bisexual, Transgender (GLBT) Historical Society, San Francisco CA.
"Image from a collection of 35mm photographic slides depicting nightlife events, circa 1970-1977, including images of a Sylvester concert and what may be Halloween 1977. The images predominantly depict Black performers and attendees, including people in costumes and drag. These slides were salvaged by the donor, Deborah Deegan." from the Gay, Lesbian, Bisexual, Transgender (GLBT) Historical Society, San Francisco CA.
"A postcard advertisement for Shake the Feathers: Indigenous American Artists Against AIDS. The event was hosted as a collaboration between Bay Area American Indian Two-Spirits (BAAITS), the Native American AIDS Project (NAAP), and the Native American Health Center (NAHC). This digital collection was created in part through the generous support of BAAITS via the Hewlett Foundation." from Gay, Lesbian, Bisexual, Transgender (GLBT) Historical Society, San Francisco CA.
Thing Chicago Guide, which highlights Vaginal Davis and includes information on the Chicago area and various queer businesses such as bars, bookstores and record stores.
"In the front row of a club night one person is prominently shown dancing in jubilation while another, more obscured person is shown in the back making a spur of the moment gesture. " from Alex Lomas
"In a nightclub, the crowd is dancing, smiling. The person most in focus in this image is a woman wearing a leopard print top, and grinning widely. " from K. Kim
"In a nightclub, a go-go dancer on stage gets down to accept a dollar from someone on the dancefloor. The go-go and the audience member exchange the dollar via mouth/kiss." from K. Kim
"In a nightclub, a go-go dancer is prone on a stage, bathed in a mix of pink and blue light. The crowd watches the dancer, some holding up their phones to record." from K. Kim
"A black and white photographic print depicting Octavia St. Laurent and Danielle Revlon, two competitors in the Femme Queen Realness category at the Revlon Ball in Manhattan, NY in 1997. Both Octavia and Danielle are posing leaning on a circular table in the foreground of the image. Each one leans with one hip and one hand on the table and the other hand on their hips. Octavia is on the left side of the image, wearing a black strapless bustier with ruffle details along the bustline and a sheer black button front shirt, unbuttoned and tied around her waist. Danielle, on the right, wears a dark-colored halter dress and a long strand of pearls triple-wrapped around her neck. Both Octavia and Danielle face a man, the ball's judge Tony Revlon, seated on the other side of the table. A small statuette trophy is sitting on the table. A large crowd of spectators are visible sitting and standing at a line of rectangular tables in the background. There are no inscriptions, front or back." from Collection of the Smithsonian National Museum of African American History and Culture
Text continues: "Parade marches along Westheimer from Dulvany to Whitney."Pink and white text on black paper. The 'W' in power is replaced with an inverted pink triangle with several other smaller triangles formatted inside of it. The top and bottom half of the poster contains a list of pride related events spanning from June 13-28, 1992.
"A contestant receives a grand prize of $500 after a moment of walking their category and facing off against opponents at a Sea-Tac Ballroom event. This image highlights the ways that beauty and authenticity pay off in the space of ballroom and it's culture, where not only are you being fully recognized in all of your glory in front of peers, but this is a space that supports individuals in a well-rounded way that allows them to make a living simply by showing up in their truest colors." from Khadija Pugh
